Economic Impacts on Event Management Literature review

Economic Impacts on Event Management - Literature review Example Damster & et. al. (2006: 11) observed, â€Å"Events can be described as transient, and every event is a unique blending of its duration, setting, management and people†. Events can be of various types on the basis of the invested amount as well as on the basis of its purpose. However, the management process in organising any event is almost similar taking into account a broad process of analysing, planning, directing, organising and controlling. It is in this context that market analysis and the economic trends are currently being considered as vital aspects to be considered while planning for event management (Getz, 2008; O'Toole, 2000). Although, the concern has been noticed very recently in the context of event management, the significance of economic impacts has gained considerable attention in the field of research. From a similar perspective, this paper will also intend to critical review a few literatures which are focused on the economic impacts observed during event m anagement. 2.0. The Dimensions of Event Management Events have always been an inseparable part of the social culture of different countries. But in the current era, the impact of events on the social setting and the rapidly growing influence of event management profession as a profitable career option have increased to a large extent. Along with the growing attention towards the concept of event management as a newly developed extension to managerial paradigm, the conception has also developed to be more complex and multi-dimensional. As noted by Damster & et. al. (2006), in the current scenario, events can be classified into various categories on the basis of purpose and also based on its size. Stating precisely, Gertz (2008) noted the classification of events on the basis of their purpose as cultural events, political events, corporate events, private events, recreational as well as sports events can be documented as a few of the classified categories of events. Where cultural eve nts can be recognised as the festivals and carnivals as well as commemorations, the political events include summits, VIP visits and royal occasions. Similarly, meetings and trade shows are included in the corporate events classification, while private events can be illustrated in terms of weddings, birthday parties and such other occasions. Further elaborating on the concept of event management, Damster & et. al. (2006) classified events into three broad categories, i.e. special events, hallmark events, and mega events. As embarked in the study of Jago (1997), researchers have provided intense significance to the aspect of special events. These events are mostly termed as the programmes organised exclusively on days which are excluded in the mentioned holiday lists for special reasons. Even though, a wide range of researches have been developed focusing on the concept of special events, there is a substantial lacuna witnessed in literatures which can provide with a comprehensive an d just definition to the concept (Jago, 1997). A major feature of the special events can be attributed as its intention to attract large crowds and media attentions being unique and fundamentally emphasised on retaining tourists. Thus,

Elements of Design Research Paper Example | Topics and Well Written Essays - 750 words

Elements of Design - Research Paper Example Sylbert had a tremendous impact on the film and, along with the art director W. Stewart Campbell, would be nominated for an Academy Award (Eaton). In terms of specific contributions, Sylbert oversaw the costuming which placed strong emphasis on 1930s accuracy. In addition, it was Sylbert’s responsibility to design and structure the facades that would be built as the vintage backdrop (Eaton). In these regards, he constructed bleach-washed facades that were reminiscent of drought-era 1930s Los Angeles. Art Director The film’s production designer was W. Stewart Campbell. W. Stewart Campbell worked directly with Richard Sylbert in envisioning and constructing general mise-en-scene elements. In this specific film Campbell contributed more to the specific mise-en-scene within the context of individual scenes, whereas Sylbert functioned as constructing the overarching production model (Eaton). Ultimately, both individuals would be nominated for Best Art Director. Use of light in the scene Lighting is a highly important element in the scene. Indeed, the neo-noir conventions of the film are such that lighting is one of the most distinguishing features of its aesthetic. In this specific scene this noir lighting is highly evident. In these regards, the scene occurs at night and many of the on-looker’s faces are ensconced in darkness. Even when the film focuses in on Noah Cross he is wearing a hat and his faced remains dark ("It's chinatown," 2011). The obvious implications of this dark lighting are that they indicate an overarching cynical perspective on existence and a morally ambiguous environment. This is also reflected throughout the entire film, as even the supposedly good characters engage in some morally dubious behavior. Setting The setting of the particular scene occurs in an external setting on the street in Los Angeles’ Chinatown. The specific time period is the 1930s. This is significant to the film as it is a formative period in Lo s Angeles development as they were experiencing tremendous water shortages, which would be a motivating element of action in the film. In addition, the specific culture of Chinatown, as evidenced in the scene’s final line ‘It’s Chinatown’ demonstrates a culture of crime. Costuming As noted earlier, rather than implementing a fanciful characterization of 1930s costuming, the production design greatly focused on constructing accurate period clothing. In this specific scene the characters are contained in suits with hats. The similarity of the good character – J.J. Gittes – with the costume of the bad – Noah Cross – demonstrates that one of the film’s underlining themes is moral ambiguity. Still, Noah Cross wears a billed hat that shrouds his eyes in darkness, designating him as an evil force ("It's chinatown," 2011). Furthermore, Katherine is wearing a white dress, greatly contrasting her from the others, and heightening he r sense of innocence and purity ("It's chinatown," 2011). Hairstyle and Makeup In terms of hairstyle, all the characters are wearing hats so this is not a factor in the scene. Makeup, however, plays an important role in the film as J.J. Gittes (Jack Nicholson) is featured with a cut nose ("It's chinatown," 2011). While the cut is from earlier in the film, it is prominently witnessed in this scene